Tag Archives: restaurant

AUGUST 8, 2015

Maggie’s Birth Day

We went to a friend’s restaurant knowing we’d have great food and a good time, and it was even better and funnier than we expected. Celebrations are great moments for making pictures for all the usual reasons; the special moment, the memories, the friends who one day won’t be around but are captured in their liveliest expressions and stay that way for us. Here are four women from 16 to 66 who span the generations yet look so comfortable and beautiful together

Often the camera does things that can only show up as visible in a photograph; that’s the magic of the medium. Maggie ‘s cake came out with a sparkler blazing away, and when I made the shot the sparkler had a fraction of a moment of less sparkle before exploding again, and in that space the shutter – at 1/ 30th of a second – was open long enough to make 2 recordings of everything.

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08-8 Sparks L1032244 copy

Then someone put on a Berlusconi mask and just as in his real life the women flocked to him. And here again an accidental ‘catch’ occurred, someone else’s flash went off just as I opened my shutter and it produced this ‘bronzy,’ garish color and hard light.

08-8 Berlusconi L1032305 copy

JULY 25, 2015

Dumpling

At the little beach side hotel we were staying in – a real Italian family kind of place – the husband and wife chefs turned out homey and delicious variations of classic Italian cuisine. We went in to see them at work and were so taken with their honesty and sweetness that I wanted to give something back to them, so I invited them out for a portrait.

I couldn’t ask for a more playful pair of lovebirds. He simply found her irresistible, she was his ‘dumpling,’ and he couldn’t keep from snuggling and hugging her, even dancing around together for a moment. I suddenly felt that their restaurant (sadly they didn’t come back the next year, business being really tough in Italy’s economy, and we really missed them on our next visit) was their little theater, and so I photographed them on their ‘stage’ set. It’s one of a lot of frames I made, but it’s easy affection and real warmth keeps me engaged.

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APRIL 6 -11, 2015

Seeing the Light

I look out the window never knowing what I’ll see that may be of interest. Will it be the weather? The landscape? Street activity? Even if we are familiar with our window’s frame, expecting it to show us the same old scene just altered by time or season, we can be surprised. The frame can move our attention just as we move the camera in front of our eye. On this bleak day, with a light rain falling, the delicate tracery of the cypress trees on the water, and the subtle coloration of the pool’s structure, made me feel as if I was seeing lavender in the overall aqua that I wasn’t sure was there. There was no lavender in the grey sky. Yet the grey bands in the pool delicately resonated with color. My feeling was that all that aqua produced a lavender echo in my eye, and on the sensor. And it is that magic of color seeing that has always seduced me.

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Carrying the camera always makes me interested in something along the way, and thus I am always having to catch up to family or friends who are already ahead of me. But sometimes it pays off if even in small ways. Seeing Maggie and our friends ahead of me as we hurried to the cinema made me appreciate the now lengthened hours of the day, and the lovely mix of last light and lamplight in this old town’s narrow alleys. I had that jolt, as I so often do, that, “I am Here, now!” And the recognition of the meaning of being in every moment becomes ringingly clear.                                                                                                                                                           April 7

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Nature takes hold wherever it can, it is, after all, nature’s dominion that we live in. So when I stand in front of something as simple as an ivy covered wall, naked in this season, I see the vivacious complexity of it all, and thrill to the marvel of it once again in yet another form. I imagined a print of it at 8 or 10 feet, and see how something so simple can also convey great power, depending upon its scale.

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I pulled into an empty lot to turn the car around and swung into line with the back wall of a  cemetery filled with crazy topiary bushes and trees. But what really called out to me at this late hour of the day, was the enormous pile of stones banked near the wall. There was something so funereal about the pile and the way it was stacked and ordered, that i got out to walk around it and take it all in. The scene became more mysterious as the light faded and the stones emanated a ghostly radiance. I guess it was just right for a cemetery.

April 904-9 L1027598

What a riot of color this restaurant was! Earlier in the week I was taken with the barely discernible lavender tones in a green pool, and was questioning color’s way of working in a subtractive or additive way. But here, the mix and bounce and reflection and blending of colors was a whole lesson in primaries and complementary colors, and the wait for our food to arrive was taken up with the beauty of how light transforms wherever we are and what we see.

April 10

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With all the various kinds of light this week presented, when it comes to feelings of intimacy there is nothing like candlelight. That old touch of primitive fire, flickering and dancing the shadows on the walls, making moods and mystery where electric light would elaborate the harsh details and leave us looking at the repairs we need to make rather than at the beauty of the moment. The cameras of today do very well in low light situations, and in fact have advanced our ability to see into the dark in ways that film struggled with. I am grateful when the technology of our times adds expressive potential to our ideas.

April 11

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JANUARY 20, 2015

Adding it Up

I came through the revolving doors into the warmth of the vestibule of the hotel, paused for a moment to take off my hat and gloves, and then caught sight of this kid sitting there like a little puppy waiting for his master. Something about the scale of the boy, and then the strangeness of the whole space; that room to the right, with the slightly underwater glow, and that crazy instrument from another era, circa 1900 I would guess, a piano roll, or reproducing piano I think it was called – look at the size of that thing! and think how far we have come and how we carry our music around with us today!

But what was really happening, as it so often does, was that all of it suddenly filled me with a quickening of the pulse and the mind, which made me stop and really look at just where I was!  Moments like that are expansive. Everything comes into play. I look all over the frame to make it register clearly, and out of that disciplined looking sometimes an interesting photograph comes.

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Back on the street I passed a cafe where a woman was drawing, and again an interior space made me stop. This time it was a more ambiguous space that caught my eye, but also the hard focus of the woman within, which made me take the moment and carry it off with me. It always astonishes me when themes arise, however loosely, on any given day, and connect disparate, non-events to each other, which then, sometimes, keep adding up.

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And so it goes.