When it comes right down to it we can only work with what we connect with on any given day. It depends on where we were, what our appetite for seeing was, what the coincidences of the day threw across our path, or finally, what we were alive to at any one moment.
I drove to the local health food store to get a few things for the upcoming New Year’s Eve dinner we were making to celebrate the end of 2013. I had spent a good part of the day inside preparing and doing other year end tasks, and so went to the bio, as they call it in France, late in the day, and as I pulled into the parking slot I saw this gnarly, furry, wild haired, winter naked bush, brittle in the last tincture of rosy light, sitting on a brutal pile of rocks behind a scrabbly chicken wire fence. All in all a tough image, one that might seldom hold my attention, and yet…
As I sat there for a moment thoughts of Dubuffet and Art Brut came to mind, and Philip Guston too, one of my favorite painters who never flinched at hard, ugly realities, and found ways to address them in his paintings, ways that challenged the values of the art world at that time. And so the longer I stayed in that moment’s reverie with this scrawny, bristling and blighted image, the more I realized that it was the most exciting thing I had see all day, and in fact was beautiful in its own demanding and difficult way.
I welcomed it.