Tag Archives: France

FEBRUARY 12, 2015

Plain Sight

Serenity after chaos can make itself felt in various ways. And it is needed to rebalance ones state of mind. I found myself drawn to this humble photograph because of the expansive and yet ordinary characteristics it uses to hold me for a moment, not let me move on, and then to draw me in, to transform my resistance into a small smile of wonder at the recognition, once again, that the most we can do is to work with what we have at any given moment.

This is where I am. This is what I see. This is what the world looks like.

A kind of honest appreciation of the fact that the sublime is often hidden in plain sight.

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FEBRUARY 10, 2015

Loss

Today, while traveling in France, our car was broken into and my computer, hard drives, cameras and other personal effects of mine and Maggie’s were stolen. All this while we were less than 30 feet away in an off the road and isolated antique store where we spent no more than 10 minutes.  The police wouldn’t come and we had no recourse but to leave, even though we could see that a scam team had done the deed.

I’m sorry to say that I cannot post a photograph until I can access a computer and my files again. I will do my best to catch up once I’m back in the studio.

Thank you for being patient.

joel

FEBRUARY 9, 2015

Now

Our year in Europe feels a little like we ran away to join the circus. Two older adults who left it all behind, packed 2 suitcases and some equipment and off we went. And who better to run away with than this woman! Maggie has enriched my life in indescribable ways. She is wife, lover, friend, consigliere, healer, business partner, co-author, and many more things to me, but always a joy to behold.

Hardly a day goes by that I don’t see her doing something intimate, or lost in thought, or writing, gardening, preparing something delicious, engaging with local merchants, so many minor, ordinary moments which are lifted out of the ordinary by the joy that emanates from her. And when she looks at me I am smitten once again.

So I make countless images of her, and the story they tell is our story, of love in the time when the years are fleeting, but joy is to be had in every moment of consciousness, that Now is the only moment we have. And every photograph is Now!

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FEBRUARY 8, 2015

Buttermilk Sky

Whenever I see a buttermilk sky I am drawn to watching its curdled passage across the heavens. It’s a harbinger of weather systems on the move I’m sure, but of exactly what kind I am not. Still, they make for great skyscapes and play well with almost anything they relate to, like these trees with their frail, wintery branches whose color, somewhere between gold and green, vibrates against the blue.

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FEBRUARY 7, 2015

Standing Still

Some days it might be the simplest of things that moves me; like the smokey yellow tone glazing the horizon, seen in relation to the russet underbelly of the cloud superimposed on the delicate celeste blue of the sky.

The poetics of the moment cause me to stand very still and watch the trio of colors slowly dissolve into a colorless wash of grays and blacks. It’s good training to observe something change right in front of my eyes. The long slow phase of one mutation into another. I always find it fruitful to search my mind for precise names of the colors that I see. The more precise I am the more I sensitize myself to where I am, and what is actually happening right then.

Stillness and taking in are two states of being that have always nourished me, particularly in the countryside where the tempo of life supports that kind of tuning in.

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FEBRUARY 6, 2015

Under The Rainbow

I was in the car on the way to Barcelona airport, and as always had my camera at the ready. The day became a day of ‘from the car’ photographs because after I landed in Marseilles I was back in a car on my way to Bonnieux.

That part of the trip was a ‘somewhere over the rainbow’ experience because, as I entered the Luberon valley, the weather, moving fast behind a passing storm, exploded with rainbows, which appeared around every bend in the road. Rainbows are a little like shooting ducks in a barrel since you can hardly ever miss, but at 60 miles per hour the rainbow, and what it is seen in relation to, makes for a challenging set of conditions.

I love shooting from the car because there is a purity to the gesture of reaching for the image. The image is what it is, and I accept it with all its shortcomings, flaws, crazy tilts, fragmentary bits and pieces which fall in wherever they do, and in a way they refresh my seeing and remind me to stay open to the suggestive impulsive side of photography.

By the time I arrived home the sky, darkening then, flared up one last time in pure symphonic crescendo, and then went dark.

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FEBRUARY 4, 2015

Out the Window

Some days just slip away, and I wonder, ‘where did the time go’? Interior days in the winter are perfect for dealing with the backlog of work that seems to accumulate so quickly now that we’re  in Europe, new exhibitions and projects which are time sensitive, and then all the catching up with the many things that computers were supposed to make easier for us.

So here it is nearly 5:00pm and I am called to the window by the last bit of sunlight doing its rosy golden number in the deep blue background of oncoming night, and once again – no matter how many times I have seen this – it never fails to make me drift into a reverie about time, and how I use it, and in these later years, how can I stretch it out.

Standing at the window I see that Maggie has lit the candles and the fire is dancing in the fireplace, and then I see the spatial illusion of near and far and behind, which has a surreal, Magritte-like quality; the overlap of the twin fires of nature and the hearth played out on the stone wall, and my reverie joins me to them, and the question of time goes out the window.

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FEBRUARY 3, 2015

Light

Dear friends invited us for lunch. They are amazing antiques dealers whose eye for objects, furnishings, spaces, color tones, and the essential feel of a place, is incredibly satisfying. Whenever we visit with them in Bonnieux, in the apartment and studios they own and rent there, (by the way, if you are ever yearning for a vacation rental…) we feel immediately at home. You know that rare feeling too, I am sure, because it isn’t easily found when traveling. So when you come upon it, you get its message fast.

To enter their sun filled rooms, in a building that is hundreds of years old, and to see lunch being prepared, and flowers spilling color and energy over the table; the light reaching across surfaces, spilling down to the floor, sliding up the walls and then ricocheting off all of them, making a luminous sphere out of the rectangle of space. Light is our most expressive asset. Photographically speaking it is the source of what first wakes me up and lets me know I am being touched by a photographic possibility. I read the light. I trust what it is signaling to me, the now of it.

Even at its most humble light calls me out.

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FEBRUARY 2, 2015

The Child in the Adult

Maggie was a dancer in New York back in the 70’s. She is a natural mime, and is always open to whatever impulses the world sends her way. Walking with her has been an adventure for the last 25 years, since I never know what unexpected, playful gesture or move she’ll make. This day for example; bitterly cold, a mistral blowing, but out we went for a walk up and down the quiet streets of Bonnieux.

She is just as likely to jump up on a wall and walk it like a tightrope, as she is to spin around when a gust of wind spirals the leaves across the road and around her feet. She was 15 feet ahead of me when I saw her interacting with the tree, and so lost in play was she that I was able to slide up behind her without her knowing I was there and make a series of images which speak to me of the child still living inside the adult.

I am reminded that our loved ones are just as crazy as the rest of the world, and that intimacy is no excuse to not see them as separate and amazing.

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FEBRUARY 1, 2015

The Thing Itself

Every once in a while I see some pure organic form; a tree, a rocky outcrop, a body of water, a hillside, which makes me pause to regard it just for its own sake. I read the history it suggests, look at the scale it has achieved, or lost, over time, and during this consideration I sometimes get the sense that I am witnessing, “the thing itself”.

‘The thing itself’ is a wonderful photographic idea, one I learned about from John Szarkowski when he was director of the photo department at MoMA, where it came up a number of times in conversation and in his writings. It is the distilled essence of something, whatever it may be, that shows itself to us as yet again another version of the magnitude that objects may possess. This tree did that for me!

When I wandered into this ancient Roman church’s grounds I first was stopped by the sheer size of the trunk of this Plane tree. Maggie and I linked arms to see how far around it we could reach – yes, two tree huggers – and calculated that it would take five of us to encircle it. Now that’s a tree! And how long had it stood near that old pile of stone, probably just a fraction of the time the building has been there.

I felt again, as I often seem to experience, a sense of awe in the company of whatever it is that calls my attention, and maybe that is the deepest part of my photographic behavior; the willingness to give myself over to simple awe. Finally, as I turned from the tree I saw the figure of the tree not in the photograph; the arching limbs casting their shadows over the old wall. Again, a moment to really look hard at simple things; those dusty, burgundy buds promising a springtime of flowers while winter light warms up old stone.

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