This photograph brings out a question. How could you know the time of the year we’re looking at without colors? They help us to describe not only what’s in front of the camera but also our own feelings, our own mood. The instinctive reaction of pressing the shutter is conscious or unconsciously related to colors. They ignite our emotions and, in the end, as a character in the latest Paolo Sorrentino’s film say, emotions are all we’ve got.
This photograph brings out a question. How could you know the time of the year we’re looking at without colors? They help us to describe not only what’s in front of the camera but also our own feelings, our own mood. The instinctive reaction of pressing the shutter is conscious or unconsciously related to colors. They ignite our emotions and, in the end, as a character in the latest Paolo Sorrentino’s film say, emotions are all we’ve got.
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