I’m leaving tomorrow for Vienna for the rest of this week to open my Retrospective exhibition at Kunst Haus Vienna. I’m fully scheduled for talks, interviews, tours, openings, and general PR and Press. I thought I should put up a few days worth of the blog so that I wouldn’t fall behind.
07-13 The Director of Galleria San Fedele in Milan had come down to the farm to discuss an exhibition that would be centered on the spiritual qualities in my work. San Fedele is a Jesuit organization. It was a lot of fun discussing it with him as he was a knowledgeable man and had a great eye for the spiritual quality of my imagery. He selected about 50 photographs and I knew he would find the right balance – and he did. He made a remarkable show from his point of view. It was a cut I would never have considered making with my work. It pays to let other people in – at times – to take a fresh look at what one knows so well.
07-14 Late in the day, Gianni, Luana and Maggie and I hiked over the nearby hills, and as always we lost ourselves in conversation and time. Walking this land is a privilege that I continually feel grateful for. The curves and rolling roads, the colors and textures, the ever surprising, yet now familiar places, always fill me up with the sense of spaciousness.
07-15 Portraits of Maggie are becoming a larger part of this summer’s work. When she is out in the garden and lost in her own thoughts and tasks, I see her looking like a big kid at play.
07-16 We went to Bologna to have a look at Morandi’s studio in preparation for a future project I would like to do there. He was known for keeping hundreds of his objects stuffed into corners of the studio, lined up under his tables and easel, piled on shelves, and gathering the dust of the 60 years since he died. (To give you an idea of how long some projects take it was only a month ago, now, in 2015, that I was able to have 2 full days alone in his studio, and they were awe filled days. This is his day bed in the tiny studio where he made all of his paintings.
07-17 Maggie on a chilly afternoon in July.
We saw your retrospective at the Kunsthaus Vienna yesterday and are in awe.
Where can I get more on your LP cover art?
I don’t know where to find these old LPs either. I did a bunch for EMI and then for Nonesuch Records, probably 12-15 in all, so not really a big collection, but a few were special to me like the Pat Metheny album with silver Airstream Trailers on the cover that I did for EMI. I bet there is a site that finds these things, but I’m not aware of what it is. Joel